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Canary in a Coal Mine

by TomatoTomato

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $9.99 CAD  or more

     

  • Compact Disc (CD) + Digital Album

    As anyone who’s tried to grow tomatoes knows, sometimes it takes a few attempts to achieve the perfect flavour. On their new album Canary In A Coal Mine, New Brunswick-based roots rock outfit Tomato Tomato—led by Lisa and John McLaggan—have done just that, reaping the benefits of the seeds planted on their previous three releases.

    Although those records established Tomato Tomato (pronounce it however you choose!) as an award-winning songwriting partnership with a high-energy take on traditional sounds, they have truly progressed to the next level with Canary In A Coal Mine, made at Nashville studio The Bomb Shelter (Alabama Shakes, Margo Price) with producers Jon Estes and Andrija Tokic, along with some of Music City’s finest musicians.

    The result is a potent display of everything that’s made Tomato Tomato one of the most beloved groups on the Canadian folk music scene, from John’s inventive songwriting to Lisa’s unforgettable Neko Case-esque vocals. However, with Canary In A Coal Mine, folkies are now going to have to share Tomato Tomato with the rest of the music world.

    Crackling spontaneity is certainly evident on the album’s opener and first single “Take It On The Road,” as well as the stomping title track and “You Don’t Know Anything,” both instant roadhouse classics. The album’s quieter moments are just as powerful, with “Kite Song” and “Nothing Left” bringing the duo’s intimate connection to the fore. And for the musos, there’s even a couple of covers of The Band’s “Ophelia” that strips the song down to its bluesy essence, and A-ha’s “Take On Me,” which unexpectedly drew admiration from the Norwegian stars after the McLaggans posted a live video that has since garnered 25,000 YouTube views.

    Canary In A Coal Mine is an important milestone on the McLaggans’ journey, and a reminder that growing things organically—especially when it comes to tomatoes—is still the best approach.

    Includes unlimited streaming of Canary in a Coal Mine via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 3 days

      $14.99 CAD or more 

     

  • Record/Vinyl + Digital Album

    As anyone who’s tried to grow tomatoes knows, sometimes it takes a few attempts to achieve the perfect flavour. On their new album Canary In A Coal Mine, New Brunswick-based roots rock outfit Tomato Tomato—led by Lisa and John McLaggan—have done just that, reaping the benefits of the seeds planted on their previous three releases.

    Although those records established Tomato Tomato (pronounce it however you choose!) as an award-winning songwriting partnership with a high-energy take on traditional sounds, they have truly progressed to the next level with Canary In A Coal Mine, made at Nashville studio The Bomb Shelter (Alabama Shakes, Margo Price) with producers Jon Estes and Andrija Tokic, along with some of Music City’s finest musicians.

    The result is a potent display of everything that’s made Tomato Tomato one of the most beloved groups on the Canadian folk music scene, from John’s inventive songwriting to Lisa’s unforgettable Neko Case-esque vocals. However, with Canary In A Coal Mine, folkies are now going to have to share Tomato Tomato with the rest of the music world.

    Crackling spontaneity is certainly evident on the album’s opener and first single “Take It On The Road,” as well as the stomping title track and “You Don’t Know Anything,” both instant roadhouse classics. The album’s quieter moments are just as powerful, with “Kite Song” and “Nothing Left” bringing the duo’s intimate connection to the fore. And for the musos, there’s even a couple of covers of The Band’s “Ophelia” that strips the song down to its bluesy essence, and A-ha’s “Take On Me,” which unexpectedly drew admiration from the Norwegian stars after the McLaggans posted a live video that has since garnered 25,000 YouTube views.

    Canary In A Coal Mine is an important milestone on the McLaggans’ journey, and a reminder that growing things organically—especially when it comes to tomatoes—is still the best approach.

    Includes unlimited streaming of Canary in a Coal Mine via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 3 days

      $25 CAD or more 

     

  • Compact Disc (CD) + Digital Album

    A great value including both "Canary in a Coal Mine" and "I Go Where You Go" together in one sweet bundle!

    As anyone who’s tried to grow tomatoes knows, sometimes it takes a few attempts to achieve the perfect flavour. On their new album Canary In A Coal Mine, New Brunswick-based roots rock outfit Tomato Tomato—led by Lisa and John McLaggan—have done just that, reaping the benefits of the seeds planted on their previous three releases.

    Although those records established Tomato Tomato (pronounce it however you choose!) as an award-winning songwriting partnership with a high-energy take on traditional sounds, they have truly progressed to the next level with Canary In A Coal Mine, made at Nashville studio The Bomb Shelter (Alabama Shakes, Margo Price) with producers Jon Estes and Andrija Tokic, along with some of Music City’s finest musicians.

    The result is a potent display of everything that’s made Tomato Tomato one of the most beloved groups on the Canadian folk music scene, from John’s inventive songwriting to Lisa’s unforgettable Neko Case-esque vocals. However, with Canary In A Coal Mine, folkies are now going to have to share Tomato Tomato with the rest of the music world.

    Crackling spontaneity is certainly evident on the album’s opener and first single “Take It On The Road,” as well as the stomping title track and “You Don’t Know Anything,” both instant roadhouse classics. The album’s quieter moments are just as powerful, with “Kite Song” and “Nothing Left” bringing the duo’s intimate connection to the fore. And for the musos, there’s even a couple of covers of The Band’s “Ophelia” that strips the song down to its bluesy essence, and A-ha’s “Take On Me,” which unexpectedly drew admiration from the Norwegian stars after the McLaggans posted a live video that has since garnered 25,000 YouTube views.

    Canary In A Coal Mine is an important milestone on the McLaggans’ journey, and a reminder that growing things organically—especially when it comes to tomatoes—is still the best approach.

    Includes unlimited streaming of Canary in a Coal Mine via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 3 days

      $20 CAD or more 

     

  • Record/Vinyl + Digital Album

    A great value including both "Canary in a Coal Mine" and "I Go Where You Go" together in one sweet bundle!

    As anyone who’s tried to grow tomatoes knows, sometimes it takes a few attempts to achieve the perfect flavour. On their new album Canary In A Coal Mine, New Brunswick-based roots rock outfit Tomato Tomato—led by Lisa and John McLaggan—have done just that, reaping the benefits of the seeds planted on their previous three releases.

    Although those records established Tomato Tomato (pronounce it however you choose!) as an award-winning songwriting partnership with a high-energy take on traditional sounds, they have truly progressed to the next level with Canary In A Coal Mine, made at Nashville studio The Bomb Shelter (Alabama Shakes, Margo Price) with producers Jon Estes and Andrija Tokic, along with some of Music City’s finest musicians.

    The result is a potent display of everything that’s made Tomato Tomato one of the most beloved groups on the Canadian folk music scene, from John’s inventive songwriting to Lisa’s unforgettable Neko Case-esque vocals. However, with Canary In A Coal Mine, folkies are now going to have to share Tomato Tomato with the rest of the music world.

    Crackling spontaneity is certainly evident on the album’s opener and first single “Take It On The Road,” as well as the stomping title track and “You Don’t Know Anything,” both instant roadhouse classics. The album’s quieter moments are just as powerful, with “Kite Song” and “Nothing Left” bringing the duo’s intimate connection to the fore. And for the musos, there’s even a couple of covers of The Band’s “Ophelia” that strips the song down to its bluesy essence, and A-ha’s “Take On Me,” which unexpectedly drew admiration from the Norwegian stars after the McLaggans posted a live video that has since garnered 25,000 YouTube views.

    Canary In A Coal Mine is an important milestone on the McLaggans’ journey, and a reminder that growing things organically—especially when it comes to tomatoes—is still the best approach.

    Includes unlimited streaming of Canary in a Coal Mine via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 3 days

      $40 CAD

     

  • Compact Disc (CD) + Digital Album

    With Tomato/Tomato's new release "Canary in a Coal Mine" and their Christmas album "Pinecones and Cinnamon" you'll be covered all year!

    As anyone who’s tried to grow tomatoes knows, sometimes it takes a few attempts to achieve the perfect flavour. On their new album Canary In A Coal Mine, New Brunswick-based roots rock outfit Tomato Tomato—led by Lisa and John McLaggan—have done just that, reaping the benefits of the seeds planted on their previous three releases.

    Although those records established Tomato Tomato (pronounce it however you choose!) as an award-winning songwriting partnership with a high-energy take on traditional sounds, they have truly progressed to the next level with Canary In A Coal Mine, made at Nashville studio The Bomb Shelter (Alabama Shakes, Margo Price) with producers Jon Estes and Andrija Tokic, along with some of Music City’s finest musicians.

    The result is a potent display of everything that’s made Tomato Tomato one of the most beloved groups on the Canadian folk music scene, from John’s inventive songwriting to Lisa’s unforgettable Neko Case-esque vocals. However, with Canary In A Coal Mine, folkies are now going to have to share Tomato Tomato with the rest of the music world.

    Crackling spontaneity is certainly evident on the album’s opener and first single “Take It On The Road,” as well as the stomping title track and “You Don’t Know Anything,” both instant roadhouse classics. The album’s quieter moments are just as powerful, with “Kite Song” and “Nothing Left” bringing the duo’s intimate connection to the fore. And for the musos, there’s even a couple of covers of The Band’s “Ophelia” that strips the song down to its bluesy essence, and A-ha’s “Take On Me,” which unexpectedly drew admiration from the Norwegian stars after the McLaggans posted a live video that has since garnered 25,000 YouTube views.

    Canary In A Coal Mine is an important milestone on the McLaggans’ journey, and a reminder that growing things organically—especially when it comes to tomatoes—is still the best approach.

    Includes unlimited streaming of Canary in a Coal Mine via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 3 days

      $20 CAD or more 

     

  • Compact Disc (CD) + Digital Album

    A great value including all of Tomato/Tomato's music. Canary in a Coal Mine, I Go Where You Go, Pinecones and Cinnamon and So it Goes all in one awesome bundle! Only 50 available.

    As anyone who’s tried to grow tomatoes knows, sometimes it takes a few attempts to achieve the perfect flavour. On their new album Canary In A Coal Mine, New Brunswick-based roots rock outfit Tomato Tomato—led by Lisa and John McLaggan—have done just that, reaping the benefits of the seeds planted on their previous three releases.

    Although those records established Tomato Tomato (pronounce it however you choose!) as an award-winning songwriting partnership with a high-energy take on traditional sounds, they have truly progressed to the next level with Canary In A Coal Mine, made at Nashville studio The Bomb Shelter (Alabama Shakes, Margo Price) with producers Jon Estes and Andrija Tokic, along with some of Music City’s finest musicians.

    The result is a potent display of everything that’s made Tomato Tomato one of the most beloved groups on the Canadian folk music scene, from John’s inventive songwriting to Lisa’s unforgettable Neko Case-esque vocals. However, with Canary In A Coal Mine, folkies are now going to have to share Tomato Tomato with the rest of the music world.

    Crackling spontaneity is certainly evident on the album’s opener and first single “Take It On The Road,” as well as the stomping title track and “You Don’t Know Anything,” both instant roadhouse classics. The album’s quieter moments are just as powerful, with “Kite Song” and “Nothing Left” bringing the duo’s intimate connection to the fore. And for the musos, there’s even a couple of covers of The Band’s “Ophelia” that strips the song down to its bluesy essence, and A-ha’s “Take On Me,” which unexpectedly drew admiration from the Norwegian stars after the McLaggans posted a live video that has since garnered 25,000 YouTube views.

    Canary In A Coal Mine is an important milestone on the McLaggans’ journey, and a reminder that growing things organically—especially when it comes to tomatoes—is still the best approach.

    Includes unlimited streaming of Canary in a Coal Mine via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 3 days
    edition of 50 

      $35 CAD or more 

     

  • Record/Vinyl + Digital Album

    Perfect for vinyl collectors, this bundle includes Canary in a Coal Mine, I Go Where You Go and So It Goes.

    As anyone who’s tried to grow tomatoes knows, sometimes it takes a few attempts to achieve the perfect flavour. On their new album Canary In A Coal Mine, New Brunswick-based roots rock outfit Tomato Tomato—led by Lisa and John McLaggan—have done just that, reaping the benefits of the seeds planted on their previous three releases.

    Although those records established Tomato Tomato (pronounce it however you choose!) as an award-winning songwriting partnership with a high-energy take on traditional sounds, they have truly progressed to the next level with Canary In A Coal Mine, made at Nashville studio The Bomb Shelter (Alabama Shakes, Margo Price) with producers Jon Estes and Andrija Tokic, along with some of Music City’s finest musicians.

    The result is a potent display of everything that’s made Tomato Tomato one of the most beloved groups on the Canadian folk music scene, from John’s inventive songwriting to Lisa’s unforgettable Neko Case-esque vocals. However, with Canary In A Coal Mine, folkies are now going to have to share Tomato Tomato with the rest of the music world.

    Crackling spontaneity is certainly evident on the album’s opener and first single “Take It On The Road,” as well as the stomping title track and “You Don’t Know Anything,” both instant roadhouse classics. The album’s quieter moments are just as powerful, with “Kite Song” and “Nothing Left” bringing the duo’s intimate connection to the fore. And for the musos, there’s even a couple of covers of The Band’s “Ophelia” that strips the song down to its bluesy essence, and A-ha’s “Take On Me,” which unexpectedly drew admiration from the Norwegian stars after the McLaggans posted a live video that has since garnered 25,000 YouTube views.

    Canary In A Coal Mine is an important milestone on the McLaggans’ journey, and a reminder that growing things organically—especially when it comes to tomatoes—is still the best approach.

    Includes unlimited streaming of Canary in a Coal Mine via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 3 days

      $55 CAD or more 

     

1.
Take it on the Road I can see our future I don't need a crystal ball I see it scribbled on the wall I can predict we'll have it all for ourselves Time's gonna tell us to go. Let's take it on the road. Let's take it on the road. Let's take it on the road. Let's take it on the road. We'd be happy just to wander find some open spaces Smiles stretched across our faces Our eyes reflecting all the places we've seen as rivers of trees fill the window. Let's take it on the road. Let's take it on the road. Let's take it on the road. Let's take it on the road. Don't let those butterflies of doubt stampede our great intent I know you get it. When dawn is cracking like an egg I can't believe that there'd be any limit. It's all right here before us Who needs American dreams? They're never all that they seem Let's find a mountain and scream til it hurts pray for what it's worth You never know. Let's take it on the road. Let's take it on the road. Let's take it on the road. Let's take it on the road. Let's take it on the road. Let's take it on the road. Let's take it on the road. Let's take it on the road.
2.
Gotta Get Up 03:16
Gotta Get Up Four hundred fifty miles of hard Nebraska dirt Where the earth and sky embrace and the clouds do all the work. I'm running to the mountains, gonna hide out in the hills. I'm sick of politicians and the walls their lies have built. I miss those Sunday mornings of my early childhood. Where we learned to love each other and charity was good. Now they're preaching fear and hate, 'cause love won't fill the seats. So I'm looking for salvation above ten thousand feet. Gotta get up - above the crowd. It's wild and it's savage, I'm not taking any chances. Gotta get up - before I drown. Gotta get up 'cause I feel it coming down. It feels like there's a reckoning brewing in the clouds. If forty days of rain should come, we'll all need higher ground. Don't look for me in Kansas, don't look in Tennessee. I'll be in the Rocky Mountains, praying on my knees. Gotta get up - above the crowd. It's wild and it's savage, I'm not taking any chances. Gotta get up - before I drown. Gotta get up 'cause I feel it coming down. I was naive to think that bigotry was frozen in the past. A display in some museum, safe behind the glass. But it's alive and it is strong, and it's marching in the streets. How can we tell our children, now it's theirs....now it's theirs to defeat? Gotta get up - above the crowd. It's wild and it's savage, I'm not taking any chances. Gotta get up - before I drown. Gotta get up 'cause I feel it coming down. Gotta get up - above the crowd. It's wild and it's savage, I'm not taking any chances. Gotta get up - before I drown. Gotta get up 'cause I feel it coming down.
3.
Kite Song 03:43
Kite Song Do you remember it was Tuesday When I found you in that cafe? Cha Cha music playing from the vinyl spinning 'round. You were sipping on espresso Like a bitter manifesto Talking to yourself and furrowing your brow Now, now, now. I'd be lost without you baby, A kite without a string I'd be lost without you baby, Just hangin' in the wind I'd be lost without you honey, But surely you can see You'd be lost without me It was a clumsy introduction Asked you how you liked your muffin You rolled your eyes and shifted in your chair. The Cha Cha kept on playin' I forget what you were sayin' I was distracted by the colour of your hair You didn't care. I'd be lost without you baby, A kite without a string I'd be lost without you baby, Just hangin' in the wind I'd be lost without you honey, But surely you can see You'd be lost without me. We're tangled and we're twisted Braided like a rope left over right. It's a healthy co-dependence It'll never break, never come untied. Does this sound at all familiar? Did I paint a pretty picture? I made it rhyme, that should be enough I won't push my luck. I'd be lost without you baby, A kite without a string I'd be lost without you baby, Just hangin' in the wind I'd be lost without you honey, But surely you can see You'd be lost without me. I'd be lost without you baby, A kite without a string I'd be lost without you baby, Just hangin' in the wind I'd be lost without you honey, But surely you can see You'd be lost without me You'd be lost without me You'd be lost without me.
4.
Take On Me 02:48
Take on Me We're talking away I don't know what I'm to say I'll say it anyway Today's another day to find you Shying away I'll be coming for your love, okay? Take on me Take me on I'll be gone In a day or two So needless to say I'm odds and ends I'll be stumbling away Slowly learning that life is OK Say after me It's no better to be safe than sorry Take on me Take me on I'll be gone In a day or two Oh the things that you say Is it live or Just to play my worries away You're all the things I've got to remember You're shying away I'll be coming for you anyway Take on me Take me on I'll be gone In a day I'll be gone In a day
5.
You Don't Know Anything – You don't know, you don't know, you don't know, you don't know anything. We drank cold coffee in a hotel lobby, long into the night. Excuses stale and dry, crumbled from his mouth. There was no debate to manipulate, I just stared him in the eye. Whispers turned to cries, everybody heard him shout. He said, "You don't know, you don't know, you don't know, you don't know anything. You're upset and easily confused." He said, "You don't know, you don't know, you don't know, you don't know anything. Give it up, you're always gonna lose." Shy smile, sweet as pie. That's the man I met. A halo 'round his head, pouring out the charm. But his heart was wicked and his words were twisted, spinning his abuse. No cover for the truth, or the bruises on my arms. He said, "You don't know, you don't know, you don't know, you don't know anything. You're upset and easily confused." He said, "You don't know, you don't know, you don't know, you don't know anything. Give it up, you're always gonna lose." What he didn't care to know is there's iron buried in my bones. The salt collected in my tears is made of courage, not of fear. I sat deflated, he escalated, talking with his hands. He took a fighter's stance as the bell began the round. I stood up tall and like a wrecking ball, delivered him a blow, said he could cut the show. I had him figured out, now stay there on the ground. I said, "You don't know, you don't know, you don't know, you don't know anything. You're upset and easily confused." I said, "You don't know, you don't know, you don't know, you don't know anything. Give it up, you're always gonna lose." I said, "You don't know, you don't know, you don't know, you don't know anything."
6.
Everybody's Hurtin' I'm in the kitchen way too late The budget numbers won't behave Water dripping from the tap I miss the things I've never had I lay awake, my fingers tightly crossed Watching shadows on the wall and feeling lost Everybody's hurtin' just like me Stacks of broken records that ramble and repeat We're waltzin' with our worries and spinnin' in our sleep Everybody's hurtin' just like me Don't you agree? The city bus is coughing smoke I find a seat and sit alone A broken man invades my space I question every choice I've made Her smells like leather, fidgets with his tie I recognize the red around his eyes Everybody's hurtin' just like me Stacks of broken records that ramble and repeat We're waltzin' with our worries and spinnin' in our sleep Everybody's hurtin' just like me Don't you agree? It's hard to see each other with our heads below the water It's harder still remembering to breath Everybody's hurtin' just like me Stacks of broken records that ramble and repeat We're waltzin' with our worries and spinnin' in our sleep Everybody's hurtin' just like me Don't you agree? x 5
7.
Canary in a Coal Mine Canary in a coal mine trying to get by flappin' my wings and toeing the line Singing for nickles, Scratching for dimes Canary in a coal mine Traffic beats, pumping through the streets of the city Another day of work another day of looking busy Run the stairs, fix my hair, stop and take a breath Man I need a rest Ten fifteen I mix a drink of wiskey in the closet I used to kind of care but I guess I kind of lost it Shirt and tie it's all a lie I'd rather wear a noose Someone better cut me loose Canary in a coal mine trying to get by flappin' my wings and toeing the line Singing for nickles, Scratching for dimes Canary in a coal mine Always thought when I got to forty I would prosper Still I've gotta flip the couch just to find a dollar Make a little, spend a little, never get ahead It's just like Momma said Canary in a coal mine trying to get by flappin' my wings and toeing the line Singing for nickles, Scratching for dimes Canary in a coal mine Canary in a coal mine trying to get by flappin' my wings and toeing the line Singing for nickles, Scratching for dimes Canary in a coal mine Canary in a coal mine Canary in a coal mine
8.
Algorithm 03:38
Algorithm I'm spinning on the head of a pin Dizzy from the chatter that's been scattered on the wind It's the age of innovation, no time for rumination Just open up the door and let it in I watched it like the comin' of a storm At first the distant thunder, the rain began to pour It's a torrent of information, some fact some speculation It's too much for my intellect to sort Just tell me what it is and what it's for I need an Algorithm that's east to believe Answer all my questions and lift me from my knees I need a new equation to organize the stars I need an Algorithm to calculate my heart Everyday I know a little less I'm kneeling in the darkness with nothing to confess Forget the destination, just point to revelation Define the terms and outline my success Exhausted I will gladly acquiesce I need an Algorithm that's east to believe Answer all my questions and lift me from my knees I need a new equation to organize the stars I need an Algorithm to calculate my heart I don't care where I end up I just need to get unstuck, to get unstuck, to get unstuck This fevers got me wandering around There's no rest for the weary on this wicked side of town I'm shaking with frustration, It's a manic exhaltation So pick me up before it breaks me down Pick me up before it breaks me down I need an Algorithm that's east to believe Answer all my questions and lift me from my knees I need a new equation to organize the stars I need an Algorithm to calculate my heart To calculate my heart x4
9.
I'll Keep the Frame Hand on the Bible, I swear that we're done. It's taken a while, but it's finally come. My clothes, they are sorted on the end of the bed. On the wall hangs a picture, of the day we first met. You keep the picture and I'll keep the frame. Now that it's over our faces look strange. That moment we captured has started to fade. So you keep the picture, and I'll keep the frame. A fair-weather romance, flimsy and cheap. Disposable gestures piled in a heap. It was grand while it lasted, we had it all. But a house built on sand is just waiting to fall. You keep the picture and I'll keep the frame. Now that it's over our faces look strange. That moment we captured has started to fade. So you keep the picture, and I'll keep the frame. We never figured out what mattered in the end. There's no second chances, there's nothing to mend. Curled at the edges and over exposed. I can't build a future with ghosts. You keep the picture and I'll keep the frame. Now that it's over our faces look strange. That moment we captured has started to fade. So you keep the picture, and I'll keep the frame.
10.
Ophelia 02:51
Ophelia Boards on the window Mail by the door What would anybody leave so quickly for Ophelia, where have you gone The old neighbourhood Just ain't the same Nobody knows just what became of Ophelia, what went wrong Was it something somebody said Mamma you know we broke the rule Was somebody up against the law Honey you know I'd die for you Ashes of laughter The ghost is clear Why do the best things always disappear? Like Ophelia, please darken my door Was it something somebody said Mamma you know we broke the rule Was somebody up against the law Honey you know I'd die for you They got your number Scared and running I'm still waiting for the second coming of Ophelia, come back home Ophelia, come back home Ophelia, come back home
11.
Sun Moon Stars and Rain In a little town without a name Day after day begins the same Heavy bells clang inside the steeple Women and their evermores Rattle bones across the floor Breaking bread and staring at the table No one ever comes, No one ever goes No one knows of nothing but their own Beneath the sun, moon, stars and rain Day and night never change Hour, minute bud and leaf repeating Beneath the sun moon stars and rain Nothing new, nothing strange No one ever thought to look for meaning Beneath the sun moon stars and rain Children leave their early days Cut their hair and learn to pray Walk in lines and curse the bells for ringing Summer wrinkles into fall They love their neighbours not at all Harvesting the silence of the evenings No one needs to worry, No one needs to lie No one ever looks you in the eye Beneath the sun, moon, stars and rain Day and night never change Hour, minute bud and leaf repeating Beneath the sun moon stars and rain Nothing new, nothing strange No one ever thought to look for meaning Beneath the sun moon stars and rain Anyone day that anyone died No flowers were laid by nobody's side Shovels cut the dirt and turn the soil He and She would never speak of Them or They or never bees They hold their grief and watch the sunset spoil No one needs to hurry, No one needs to wait Everybody's marching with their faith Beneath the sun, moon, stars and rain Day and night never change Hour, minute bud and leaf repeating Beneath the sun moon stars and rain Nothing new, nothing strange No one ever thought to look for meaning Beneath the sun, moon, stars and rain Day and night never change Hour, minute bud and leaf repeating Beneath the sun moon stars and rain Nothing new, nothing strange No one ever thought to look for meaning Beneath the sun moon stars and rain Beneath the sun moon stars and rain Beneath the sun moon stars and rain
12.
Nothin Left 02:34
Nothing Left Hard as brick as long as I remember That's how I used to stand up to the breeze Built it high and wide, No one could see There's nothing left of me There was something in the way her voice would echo Found a crack that I had never seen Crumbled my foundation like a gentle dream There's nothing left of me No voice to speak, no hands to build No reason to stop drinking when I've had my fill There's no beauty in a life without eyes to see There's nothing left of me I wrapped myself around her smallest finger She consumed me with a sympathetic ease Never had a taste for longevity There's nothing left of me All that brick, it never really mattered No more than a pile of debris It would be a mercy to sweep it clean There's nothing left of me No voice to speak, no hands to build No reason to stop drinking when I've had my fill There's no beauty in a life without eyes to see There's nothing left...

about

As anyone who’s tried to grow tomatoes knows, sometimes it takes a few attempts to achieve the perfect flavour. On their new album Canary In A Coal Mine, New Brunswick-based roots rock outfit Tomato Tomato—led by Lisa and John McLaggan—have done just that, reaping the benefits of the seeds planted on their previous three releases.

Although those records established Tomato Tomato (pronounce it however you choose!) as an award-winning songwriting partnership with a high-energy take on traditional sounds, they have truly progressed to the next level with Canary In A Coal Mine, made at Nashville studio The Bomb Shelter (Alabama Shakes, Margo Price) with producers Jon Estes and Andrija Tokic, along with some of Music City’s finest musicians.

The result is a potent display of everything that’s made Tomato Tomato one of the most beloved groups on the Canadian folk music scene, from John’s inventive songwriting to Lisa’s unforgettable Neko Case-esque vocals. However, with Canary In A Coal Mine, folkies are now going to have to share Tomato Tomato with the rest of the music world.

Crackling spontaneity is certainly evident on the album’s opener and first single “Take It On The Road,” as well as the stomping title track and “You Don’t Know Anything,” both instant roadhouse classics. The album’s quieter moments are just as powerful, with “Kite Song” and “Nothing Left” bringing the duo’s intimate connection to the fore. And for the musos, there’s even a couple of covers of The Band’s “Ophelia” that strips the song down to its bluesy essence, and A-ha’s “Take On Me,” which unexpectedly drew admiration from the Norwegian stars after the McLaggans posted a live video that has since garnered 25,000 YouTube views.

Canary In A Coal Mine is an important milestone on the McLaggans’ journey, and a reminder that growing things organically—especially when it comes to tomatoes—is still the best approach.

credits

released March 1, 2019

John McLaggan- Vocals, Guitar
Lisa McLaggan- Vocals, Percussion
Jon Estes- Bass, Piano, Organ
Jeremy Fetzer- Guitars
Jon Radford- Drums
Spencer Cullum- Pedal Steel
Kris Karlsson- Banjo, Guitar
Emmanuel Echem- Trumpet (Tracks 1 & 3)
Micah Hulscher- Piano (Track 10)

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